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明代书画家、收藏家李日华没有象董其昌那样用明晰的语句来概述他对绘画史的整体认识,但从李日华《味水轩日记》、《六研斋笔记》等著作对绘画作品的品鉴中,仍可看到他对绘画史有一个自成体系的把握和理解。本文试图将李日华现存著述、题跋中有关绘画的品鉴和个人认识汇集起来,从而勾勒出李日华的绘画史观念。
LI Ri-hua, a painter and collector in the Ming Dynasty, did not use clear words to outline his overall understanding of the history of painting as DONG Qichang did. However, from the tastings of Li Rihua’s Diary of “Wei Shuixuan” and “Liu Ji Zhai Notes” , We can still see that he has a self-contained grasp and understanding of the history of painting. This article tries to outline Li Rihua ’s concept of painting history through the collection of tasting and personal knowledge of Li Zhihua’ s writings and inscriptions.