从功能语言学的角度,形式与意义的对等是诗曲翻译的最高境界。对元朝马致远《天净沙.秋思》的多个英译本进行研究分析时,对源文的理解特别是对“昏鸦”的“昏”字等有新的定义;并在Schlepp译本的基础上,集翁显良译本,周方珠译本,丁祖馨和Burton Raffel译本等之所长,进行了修改。因此特与Schlepp及众家商榷。 From the perspective of functional linguistics, the equivalence between form and meaning is the highest level of poetic translation. During the research and analysis of several English versions of “Ti Jing Sha. Autumn Thoughts” published by Ma Zhiyuan in the Yuan Dynasty, the understanding of the source text especially has a new definition of “faint” such as “faint crow” Based on the translation, the translations of Weng Xianliang, Zhou Fangzhu, Ding Zuxin and Burton Raffel were revised. Therefore, especially with Schlepp and other public discussion.