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在水墨人物画写生与创作中对水墨肌理的理解与运用,首先受前人的启发和制约。前辈画家对水墨肌理进行了系统的概括和总结,并恰如其分的运用到自己的绘画创作中,站在前人肩上去研究和运用水墨肌理,对自己的写生和创作具有一定的启示作用。再则就是物象自身的材质和组织形式及表现肌理对水墨肌理具有一定的选择作用。不同的物象,不同的肌理形式,我们要选择不同的水墨肌理去表现;另外水墨肌理并不是简单的绘画技巧,它具有文化性和情感功能,艺术修养的高下直接影响对水墨肌理的理解与运用。
The understanding and application of the texture of ink and wash in the painting and sketch creation of ink figures are firstly inspired and restricted by the predecessors. The painters of the predecessors systematically summed up the ink-and-water texture and applied it appropriately to their own paintings. Standing on the shoulders of their predecessors to study and apply the texture of ink and wash, they have some enlightenment on their sketch and creation. Then it is the material’s own material and organizational form and performance of the texture of the ink texture has a select role. Different objects, different texture forms, we have to choose a different ink texture to performance; other ink texture is not a simple painting skills, it has a cultural and emotional function, artistic accomplishment directly affect the understanding of the texture of ink and wash use.