中国的书法在本质上是中国文化的自然化生成,她的产生与发展始终是中华民族文化的自觉表征。即使是中国历史上文人墨客对书法的认知与实践,也都是在确保实用与审美的双重品格下进行的。在这一过程中,中国历代学人所强调的“品高”“学富”论亦贯彻其间。随着社会的发展与进步,书写的工具及其行为方式也发生了改变。实用层面的毛笔书写日趋式微,审美层面的艺术表现日益凸显:过去隐寓于文的“毛笔书写文化”成为艺术的“毛笔书法创作”;过去作为文人基本的 Chinese calligraphy is essentially the natural generation of Chinese culture. Her birth and development have always been the conscious representation of Chinese culture. Even in the history of China, the literati’s cognition and practice of calligraphy are all carried out under the dual character of ensuring practicality and aesthetic taste. In the course of this process, the theory of “high school” and “rich school” emphasized by Chinese historians has also been implemented. With the development and progress of society, the tools for writing and the ways of behaving have also changed. Practical writing brush writing day by day, the aesthetic level of the performance of the art has become increasingly prominent: the past hidden in the text “writing brush ” became art “brush calligraphy ”; in the past as a literary basic