当前的争论虽然知觉已经成为大部分电影理论的直接出发点,而且无疑必然处于这些电影理论的基础位置,但它却几乎不被认为有值得广泛讨论的充分必要。贯穿古典电影理论时代,实际上只有两种立场可以采取:写实主义的和完形心理学的。巴赞和克拉考尔代表写实主义阵营,认为电 While the current debate has become the direct starting point for most film theories and is undoubtedly at the basis of these film theories, it is seldom viewed as necessary and worthy of extensive debate. Throughout the era of classical film theory, in fact, only two positions can take: realism and Gestalt psychology. Barzan and Klakal represent the realist camp, think electricity