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越剧从诞生到发展至今的一百年是不断探索、不断改革的一百年,下个一百年要怎么走,还是离不开探索和改革。这一点来说,不管是上海越剧、浙江越剧,亦或是福建越剧,都在寻找着各自的出路。而作为浙江越剧的重要组成部分之一——宁波小百花越剧团,近年来也在越剧改革中做了不少探索。最近全新创排的越剧《王熙凤——大闹宁国府》,是又一次新的实践。这个戏力求在思想上还原曹雪芹《红楼梦》的原著精神,题材上突破越剧原本才子佳人的模式,并从整体上做到符合现代观众的审美要求。
From the birth to the present one hundred years of development, Yue Opera is constantly exploring and constantly reforming one hundred years. How to go next hundred years or not depends on exploration and reform. This point, whether Shanghai Yue Opera, Zhejiang Yue Opera, or Fujian Yue Opera, are looking for their own way out. As one of the important components of Zhejiang Yue Opera-Ningbo Xiaobaihua Yue Opera Troupe, it has done a lot of explorations in the reform of Yue Opera in recent years. Recently launched a new drama “Wang Xifeng - Da Nang Ning Fu” is another new practice. This play strives to restore the original spirit of Cao Xueqin’s “Dream of Red Mansions” ideologically and to break through the original model of the genius and beauty of the opera and to meet the aesthetic requirements of the modern audience as a whole.