论文部分内容阅读
前不久,收到了罗一平寄来的他刚出版的四本专著《造化与心源:中国美术史中的山水图像》、《历史与叙事:中国美术史中的人物图像》、《语言与图式:中国美术史中的花鸟图像》、《破碎的逻格斯:西方现当代艺术史中的图像》;与此同时还收到几十幅他在2006年创作的山水画的照片。我很吃惊,一是吃惊于四部专著所传达出来的学术容量和作者的科研能力;一是吃惊于他山水画所达到的艺术高度。
Not long ago, he had received four monographs issued by Luo Yiping, namely, “Art and Heart: Landscape Images in Chinese Art History”, “History and Narration: Images of People in Chinese Art History”, "Language and Figure Style: Images of Flowers and Birds in the History of Chinese Art, Broken Logos: Images in the History of Modern and Contemporary Western Art, and dozens of photographs of landscape paintings he created in 2006. I was surprised, first, surprised by the academic capacity of four monographs and the author’s research capabilities; one is surprised at the height of his art landscape.