在最近一次水墨画提名展上,我对70后画家的一段发言引起众人不少议论,记得当时大致讲到如下几点:1、70后画家已步入不惑之年,三十七八岁正是不少天才艺术家辞世的年龄,因此以时代名义集体亮相的展览已显出尴尬;2、小虎队刚出道的时候,他们是一个组合,但现在已经解散多年,并且没有重新组合的可能与必要;3、出生年代的特殊性,使得这一代人能接触到大量信息,中外的,古今的。和80后、90后对海量信息的习以为常乃至厌烦不同,70后艺术家擅长信息的转运,不少画家着迷于打地域差和时间差,却对自己的选 At the recent ink painting nomination exhibition, I made a lot of speeches on the post-70 painter’s speech. I remember about the following points at the time: 1, 70 after the painter has entered the age of atonement, the 37-year-old is exactly The age of the death of many talented artists, so collective appearance in the name of the era of the exhibition has shown embarrassment; 2, when the Tigers just debut, they are a combination, but has now been dissolved for many years, and there is no possibility and need to re-combination; 3, the particularity of the birth year, making this generation have access to a large amount of information, Chinese and foreign, ancient and modern. And 80, 90 after the mass of information used to be often or even tired of different, 70 after the artist is good at information transfer, many painters fascinated by the fight against geographical differences and time difference, but their own election