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日常生活叙事在新时期女性文学创作中呈现了多重景观:探寻日常生活的合理位置;呈现当代平民原生态的日常生活;凸显个体身体和精神体验性的日常生活;张扬审美化、物质化的消费社会日常生活。这多重景观的出现,不仅是在男性话语的盲点之上女性界说自身的一种要求,也是对作为主流的民族国家叙事的反叛和纠偏,在凸现了女性日常生活的多样存在的同时,也张扬了女性日常生活叙事作为边缘话语对主流男性中心话语的颠覆潜能。因此,对于文学研究工作者而言,一方面我们需要去纠正来自主流文学批评和男性批评对女性文本的误读、错读并挖掘当下女性文本的生产性、创造性;另一方面我们需要积极探索女作家通过日常生活叙事建构话语权威的可能路径,从而更新传统批评观念中对女性日常生活叙事屑小、无意义的否定性心理定见。
The narrative of daily life presents multiple landscapes in the creation of female literature in the new era: to explore the reasonable position of daily life; to present the ordinary life of contemporary civilians; to highlight the daily life of individual body and spiritual experience; to promote the aesthetic and materialized consumption Social daily life. The appearance of this multiple landscape is not only a requirement of women in the blind spot of male discourse, but also a rebellion and rectification of narrative as the mainstream national state. While highlighting the diverse existence of women’s daily life, Publicize the subversive potential of the daily narrative of women as the marginal discourse on the mainstream male discourse. Therefore, for literary researchers, on the one hand, we need to correct the misreading of female texts from the mainstream literary criticism and male criticism, misread and dig out the productiveness and creativity of contemporary female texts; on the other hand, we need to actively explore The female writer constructs the possible path of discourse authority through narration of daily life, so as to update the negation psychology of narration and meaninglessness in the daily criticism of women in the traditional criticism.