一、书画互动的历史转折唐人张彦远(八一五—八七五)即说过:‘书画异名而同体。’(《历代名画记》卷一)其实,早在汉末魏初的曹植(一九二—二三二)在他的《画赞序》里就说过意思相同的话:‘盖画者,鸟书之流也。’不过他们所说的情形,在汉末,或是在晚唐,已经不存在了,他们说的应该是指历史,甚至是上古史,或者说史前史的事实。岩画·符号·古文字在现存的岩画上,图画和符号是并存的。如西藏夏仓岩画的鹿与一双钩‘雍仲’及桃形符号(图一)和人与符号(图二):新疆维吾尔自治区木垒哈萨克自治县东城乡鸡心梁的岩刻(图三)上的云朵、鸟与符号。甘肃省肃北蒙古族自治县大黑沟中段的狩猎岩刻(图四),描绘了人追逐动物的场面,其中有‘(?)’,即可以说是猎人开弓,也可以说是暗示射猎的‘射’的符号。至于,它是不是最初的象形文字,当然只能靠猜测了。福建省华安 First, the historical turning point in the interactive painting and calligraphy Chinese people Zhang Yan Yuan (August 15 - August 75) said: "calligraphy and painting synonyms. In fact, as early as the beginning of the end of the Han Dynasty, Cao Zhi (1992-33) said the same thing in his Painting and Preface: Birds book flow also. However, what they said did not exist in the late Han Dynasty or in the late Tang Dynasty. What they said should refer to history, even to the ancient history or the fact of prehistoric history. Petroglyphs, Symbols, and Ancient Writings On extant petroglyphs, pictures and symbols co-exist. For example, the deer with a pair of hooks ’Yongzhong’ and peach symbols (Figure 1) and people and symbols (Figure 2) in the rock paintings of Xiajia in Tibet are shown on the rock carvings of Jixiangliang, Dongcheng Township, Muzi Kazakh Autonomous County, Xinjiang Uygur Autonomous Region Clouds, birds and symbols. Hunting rock carvings in the middle section of the Daqiagou in Subei Mongolian Autonomous County, Gansu Province (Figure 4) depict the scene of chasing animals, in which there are ’(?)’, That is to say, a hunter bows, it can also be said to imply hunting The symbol of ’shoot’. As it is, it is not the original hieroglyphs, of course, can only rely on speculation. Huaan in Fujian Province