中国山水画与西方风景画产生的时代相差千余年,又处于两种截然不同的文化背景中,艺术形态自然迥异。看中国的山水画,可以感观,可以心观,可以画观,但不可以风景观。因为笔墨中有人的投射,有人观照自然的种种心迹,所以山水画的背后是人的主体,是天地人的深层命题(雷子人《人迹于山》北京大学出版社2010年5月版)。“登山则情满与 The difference between the Chinese landscape painting and the western landscape produced in the era of more than a thousand years, but also in two very different cultural backgrounds, the art form naturally different. Look at the Chinese landscape painting, you can feel the view, you can mind, you can draw a view, but not the landscape. Because some people in the pen and ink projection, some people observe all kinds of natural feelings, so the landscape behind the main body of the people, is a deep proposition of heaven and earth (Lei Zizhu ”Humanities“ Peking University Press May 2010 edition). ”Climbing is full of love