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分析了中国现当代小说中人物配置的“尚三”倾向,认为产生这种倾向的原因是中国文化心理中存在着典型的“中庸”意识,它不仅是儒家学派的伦理学说,更是国人对待整个世界的一种看法。指出“中庸”的实质即是一种三分世界的意识,也是中国现当代小说中人物配置“尚三性”的哲学根源。
This paper analyzes the tendencies of “Shangsan ” in character configuration in modern and contemporary Chinese novels. The reason for this tendency is that there is a typical “moderate” consciousness in Chinese cultural psychology. It is not only the ethics of Confucianism, It is also a view of the people treating the entire world. It points out that the essence of “moderate ” is a kind of consciousness of one - third of the world and also the philosophical origin of the “three” nature of character arrangement in Chinese modern and contemporary novels.