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本文重点对中国画的黑白虚实这一对既辩证又统一的矛盾展开论证。先论证中国画的布白有其深厚的文化底蕴,它源自于中国道家的哲学思想,画家用布白手法来表达中国绘画的灵气神韵。中国画与西方绘画有着根本的不同,在画面上虽同样出现黑白的图像,而其内在却有本质的区别。
This article focuses on the dialectical and uniform contradictions between the black and white Chinese fiction and the actual situation. The first proof of the cloth of Chinese painting has its profound cultural heritage, which originated from the philosophical thinking of Chinese Taoism, the artist uses cloth white to express the spiritual charm of Chinese painting. There is a fundamental difference between Chinese painting and western painting. Although black and white images appear on the screen as well, there is an essential difference between them.