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现代中国画坛,“北齐南黄”可谓无人不知。“南黄”黄宾虹(1865—1955)“则广收博取,不宗一派,浸淫唐宋,集历代各家精华之大成,而构成自己面目”(傅雷);而且“愈老愈新,更上几层楼,终成一代巨匠,表现出我中华民族永不枯竭的创造力”(刘海粟)。殊不知,这位寿翁大画家在上世纪初推翻封建帝制的伟大斗争中,也是一位追求进步并付诸行动的金刚之士。 笔者得益于黄翁女婿赵志钧老先生,他不顾耄耋高龄,出于崇敬之情,从浩瀚的
Modern Chinese painting, “North Qi Nan Huang” can be described as unknown to anyone. Southern Yellow Huang Binhong (1865-1955) is widely accepted, non-religious, soaked Tang and Song dynasties, set the culmination of the essence of the various dynasties, and constitute their own face “(Fu Lei); and” more old and new, more A few floors, eventually become a generation of great artists, showing the inexhaustible creativity of the Chinese nation "(Liu Haisu). As everyone knows, the great painter Shou Weng overthrows the feudal monarchy in the great struggle of the early last century, but also is a pursuit of progress and action Diamond King. The author benefited from the old son of Zhaowen Zhao Zhijun, he regardless of staggering elders, out of reverence, from the vast