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在二十世纪里,中国文艺包括书法都经历并加深了艺术自律主义进程。书法的自律追求既是书法内部自觉意识发展的体现,也是艺术自律主义理论思潮激发和促进的结果。从艺术自律主义的合理性和局限性可以看出书法自律追求的利弊得失。文学领域有关“纯诗”、“纯文学”的思考对书法领域具有多重启发。认识书法自律追求的利弊得失,有助于书法界冷静思考、趋利避害。
In the twentieth century, Chinese literature and art, including calligraphy, both experienced and deepened the process of art self-discipline. The pursuit of self-discipline of calligraphy is not only the manifestation of the development of self-awareness in calligraphy, but also the result of stimulating and promoting ideological trend of art self-discipline. From the reasonableness and limitation of art self-discipline, we can see the pros and cons of self-discipline of calligraphy. The literature on “pure poetry ”, “pure literature ” thinking has multiple inspiration on the field of calligraphy. Understanding the pros and cons of the self-discipline of calligraphy can help the calligraphers to think calmly and avoid disadvantages.