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中国现当代文学史著中的图文互文实践虽然方兴未艾,但就其总体实践而言仍有不少缺陷:图像与文字的错位,导致意义的错乱或缺失,而编著者入史现象则损害了文学史著的客观性;图文语境的消解、破碎与解构,使得图文的价值被削弱甚至走向对立;文学史著的图文关系缺乏创新,使读者的期待视野日渐趋同。凡此种种,使得现当代文学史著运用图像的成果数量趋多而精品少、视觉冲击性强而思想性偏弱。
Although the intertextual practice of graphic intertextuality in the history of modern Chinese literature is still in the ascendant, there are still many shortcomings in its overall practice: the dislocation of images and characters leads to confusion or lack of meaning, The objectivity of the history of literature; the digestion, fragmentation and deconstruction of the context of the graphic and textures make the value of the graphic and texts weakened or even turned to the opposite; the lack of innovation in the graphic and textual relations of the literary history enables the readers’ expectation horizon to converge gradually. All these kinds of phenomena make the number of the achievements of modern and contemporary literature use images more and more and less, the visual impact is strong and the thought is weaker.