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东北喜剧在一定程度上是以现代意识的缺失为代价而对东北的当下作了扭曲式的舞台和影像表达。如果东北的艺术工作者在对东北文化缺少审视的前提下心甘情愿地将自身置于“被看”的位置,东北文化本身鲜活的生命力必将被追逐娱乐的时代所淘空。
To a certain extent, the comedy in northeast China distorts the present stage of the Northeast with the loss of modern consciousness. If the northeast artistes willingly put themselves in the position of “looking ” on the premise of a lack of examination of the northeast culture, the fresh vitality of the northeast culture will surely have to be scourged by the era of pursuing entertainment.