近三十年来,戏曲文学创作取得了巨大的成就,排演了大量的新创剧目。据统计,“全国200多个剧种上演的新剧目大约超过3000部。……可以这样说,自从戏曲诞生以来,这20多年新编排的剧目超过了北杂剧、南戏与明清传奇的总和”~②。与此不相称的是成活率较低,唱段传唱率也不高,这是否与过分重视戏曲的文学性而忽视舞台性有关呢?据朱恒夫的调研观察:“如果将今日人们对戏曲要素的重视程度排列一个位置的话,第一是剧本,第二是导演,第三是演 In the recent three decades, opera literature has made great achievements and rehearsed a large number of newly created plays. According to statistics, ”more than 200 new operas in the country have performed more than 3000. It can be said that since the birth of the opera, the rehearsal of more than 20 years has exceeded the total number of Bei Za Drama, “~ ②. Is not commensurate with this is the lower survival rate, singing is not high rate of singing, whether this is too much emphasis on opera’s literary and ignore the stage of it? According to Zhu’s survey: ”If the people today elements of the opera The importance of ranking a position, the first is the script, the second is the director, the third is the speech