在美国、日本、中国三重语境下演绎的《艺伎回忆录》,发散出某种怪异的后现代拼贴的味道,或许能取悦西方,却难以取悦东方看《艺伎回忆录》,很容易想起一本当代电影批评集的书名“后好莱坞时代的中国影像”,或者更准确地说,还应该加上“日本影像”。在这部由当代美国畅销书改编而成的电影中,处处洋溢着我们所熟悉的东方元素:艺伎、扇舞,木屐……但显然,“日本 In the United States, Japan, China under the three-dimensional interpretation of the Memoir “Memoirs of Geisha”, divergent flavor of some weird post-modern collage, may be able to please the West, but hard to please the East to see the Memoirs of a Geisha, it is easy to think of a The title of contemporary film criticism is entitled “Chinese images of Hollywood after Hollywood,” or, to be more precise, “Japanese images.” In this movie adapted from contemporary bestseller in the United States, we are familiar with oriental elements: geisha, fan dance, clogs ... but apparently, "Japan