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传统绘画与瓷器装饰历来有着不解之缘,在清三代瓷器装饰中表现得尤为突出,无论是青花、粉彩,还是古彩装饰都是借鉴传统绘画的艺术特点,根据瓷器工艺和陶瓷绘画材料本身的特性进行合理运用发展的。本论文正是从传统绘画和清三代瓷器装饰的技法、色彩、笔线等方面探讨二者的关系。
Traditional painting and porcelain decoration has always been a source of indissoluble bond. It is particularly prominent in the decoration of porcelain in the third generation of the Qing Dynasty. Whether it is blue and white, pastel or ancient color decoration, it draws on the artistic features of traditional painting. According to the porcelain and ceramic painting materials Its own characteristics of the rational use of the development. This thesis explores the relationship between the two techniques from the traditional painting and the techniques of decorative porcelain of Qing Dynasty.