山水画家沈从斌过去的作品造型准确、气韵生动、融会南北、豪放大气、受到美术界的赞赏,他不满足于已有的水平和成绩,积极思变,大胆创新,最近,又有一批新作问世,这些新作有意从生活中拔出来,提高到一种精神境界,画面浸透着一种超逸淡远、简淡悠闲、意境高雅之感。观沈从斌的山水新作,感到既超脱又天真,既朴拙又自然,既简约又丰富,要意境有意境,要趣味有趣味,要形式有形式,要笔墨有笔墨,比他过去的作品有了较大的变化。张彦远论画曰:“失于自然而后神,失于神而后妙,失于妙而后精。精之为病也而成谨细,自然者为上品之上,神者者为上品之中,妙者为上品之下,精者为中品之上,谨细者为中品之中。”观中国山水画“新潮”,过分讲究制作、谨细有余,自然不足。然而沈从斌 He was not satisfied with the existing level and achievements, he actively changed his mind and boldly innovated. Recently, a batch of new works have come out, These new works intend to pull out from life, raised to a spiritual realm, the screen is saturated with a far-off, simple and relaxed, elegant mood. Shen Guobin’s new works of landscape view, both detached and naive, both simple and natural, simple and rich, to the mood of the mood, fun and interesting, to have a formal form, to have a pen and ink, than his past works have Big change. Zhang Yanyuan on the painting said: “lost in nature after God, lost in God and wonderful, lost in the wonderful and then fine. The essence of the disease also became careful, nature is above the top, God who is the top grade, wonderful For the top grade, fine for the above, cautious for the middle of the goods. ”View Chinese landscape“ trendy ”, too much emphasis on production, more than enough natural lack. However Shen Congbin