郭熙的传世理论著作《林泉高致》十分重视画家对自然景物的观察与真山水的体验,它闪耀着现实主义创作的思想光辉,而且有着中国优秀的传统精神,是中国绘画理论的精华。同时,他对山水画的取景和结构,笔墨与色彩的运用,对山水画中“三远”的论述,至今仍对当代山水画创作及理论研究具有现实的指导意义。 Guo Xi’s masterpiece “Lin Quan Gaozhi” attaches great importance to the artist’s observation of natural scenery and the experience of true landscape. It shines with the glorious ideology of realistic creation and has the fine traditional spirit of China and is the essence of Chinese painting theory. At the same time, his views on the scenery and structure of landscape paintings, the use of ink and color, and his discussion of “Three Far ” in his landscape paintings still provide practical guidance for contemporary landscape painting creation and theoretical research.