随着中西方文化交流的日益频繁,两种文化相互融合、相互促进,已成为不可逆转的趋势。当然绘画艺术也不例外,蒙克作为表现主义的先驱,在他的彷徨、焦虑与恐惧的状态下将创作的主题与个人的主观强烈的情感紧密的结合起来,由此开辟了以精神为主要风格的先锋之路,研究蒙克绘画语言的运用,对了解西方绘画的本质,促进我国绘画发展有一定积极的意义。 With the increasing frequency of cultural exchanges between China and the West, the two cultures have converged and promoted each other and have become an irreversible trend. Of course, the art of painting is no exception. As the forerunner of expressionism, Munch, closely combining the theme of his creation with the subjective and intense emotion of his individual in the state of hesitation, anxiety and fear, has opened up the spirit as the main Style pioneer, studying the use of Monk’s painting language is of some positive significance for understanding the nature of Western painting and promoting the development of Chinese painting.