20世纪20年代末30年代初,欧阳予倩在主持广东戏剧研究所期间倡导了一个“平民戏剧运动”,它包括“革命戏剧运动”和“艺术戏剧运动”两个部分,其本质精神为“彻底解放了的艺术才是纯艺术”。在这个纲领的指导下,欧阳予倩在理论、创作、剧运路径的设计上都开辟了自己的道路,并构成了他几十年戏剧实践中最核心的方面。 In the late 1920s and early 1930s, Ouyang Yuqian advocated a “civilian theater movement” during the presidency of the Guangdong Institute of Theater Studies. It included two parts, the “revolutionary theater movement” and the “artistic theater movement.” Its essence is “ Completely liberated art is pure art. ” Under the guidance of this program, Ouyang Yuqian opened up his own path in the design of the theory, creation and the theater and formed the core aspect of his decades of theater practice.