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四月中旬,音协四川分会在蓉召开了音乐创作研讨会。来自省内各单位、各地的三十多位老中青年作曲家、理论家聚集一堂,围绕音乐界争议的“热点”之一——“新潮”音乐及有关问题,进行了认真地研讨。会上,各抒己见,不同观点直率交锋。热烈而富有生气的讨论,把我省的音乐研讨推向新的深度和广度。 A 与会部份同志从十一届三中全会实行改革、开放后的政治形势、中西方文化意识的碰撞与交流、时代审美心理的嬗变等广阔的背景来透视“新潮”,认为“新潮”的出现是历史的必然,是传统音乐无法适应时代需求而发生的内部裂变。“新潮”的音乐思想主要是高扬个体意识及创造性,随之,表层音响
In mid-April, China Music Association Sichuan Branch held a music creation seminar in Chengdu. More than 30 composers and theorists from all the units in the province and around the country gathered together to conduct a careful study on one of the hot spots in the music industry, the “trendy” music and related issues. At the meeting, each expressed his own views, franklin marshall, franklin marshall, franklin marshall Warm and lively discussion, the province’s music seminar to a new depth and breadth. A part of the comrades from the Third Plenary Session of the Eleventh Central Committee of the implementation of reform, the political situation after the opening up, the collision and exchange of Chinese and Western cultural awareness, aesthetic changes in the age of broad psychological background perspective “trendy”, that “trendy” The emergence of history is inevitable and the internal fission that traditional music can not meet the needs of the times. “Trendy” music thinking is to promote individual consciousness and creativity, followed by surface acoustic