多山多水的地理环境,决定了大别山革命老区人的抒情方式不是大锣大鼓的戏曲,而是委婉细腻的山歌。人文传承上,楚文化的渗透,促成了大别山民歌的进一步发展。大别山民歌带有吴楚风格共存互动与南北兼容并蓄的特点,这种复杂性又使得它更加奥妙无穷,丰富多彩。 The mountainous and watery geographical environment determines that the lyrical way of people in the old revolutionary base areas of the Dabie Mountains is not a drama of the big bass drums but a delicate folk song. Inheritance of humanities, Chu culture infiltration, contributed to the further development of folk songs in the Dabie Mountains. Dabie Mountain folk songs with Wu Chu style co-existence and interaction characteristics of inclusive and North-South, this complexity makes it more subtle, colorful.