样板戏可以称为是政治的工具 ,但作为一种审美文化现象 ,它却不仅仅是政治的产物 ,更是中华民族长久积淀的和谐美理想的回归 ,作为文革的主流艺术形式 ,它占据了中国十年的审美空间。样板戏是政治阴谋的产物 ,但同时 ,理想的膨胀、理性的强制、阶级性的夸张导致了情节冲突的单一化、人物形象的类型化、结构方式的模式化、表演形式的程式化 ,这些艺术特征所展现出的古典式的审美特征暗和了中国传统偏重和谐的审美心理 The model opera can be called a political tool. However, as an aesthetic cultural phenomenon, it is not merely a product of politics, but also an ideal return to the long-cherished harmony and beauty of the Chinese nation. As the mainstream art form of the Cultural Revolution, it occupies Ten years of aesthetic space in China. Model opera is the product of political conspiracy, but at the same time, ideal expansion, rational coercion and class exaggeration lead to the simplification of plot conflicts, the typification of characters, the mode of structure and the stylization of performance forms The classical aesthetic features exhibited by the characteristics darken the aesthetic psychology of Chinese tradition that emphasizes harmony