在中国当代艺术的语境中,王雷的创作在两个层面上具有重要意义:第一个层面,在“油画民族化”(这个问题在上世纪80年代之后的当代艺术界很少被关注,不是这个问题解决了,而是被社会学模式的当代艺术创作和评论所忽略和遮蔽了。成为了历史学问题。回头来看,这个问题始终是困扰中国油画创作的一个大问题。)这个课题上,王雷的创作延续了林风眠、董希文、庞薰、袁运生等上一辈艺术家所倡 In the context of contemporary Chinese art, Wang Lei’s writing is of great significance at two levels: the first level is “ethnicization of oil painting” (a problem rarely seen in the contemporary art world after the 1980s) Concerned, this issue has not been solved, but it has been neglected and obscured by the contemporary art creation and criticism of the sociological model, which has become a historical issue, which has always been a big problem plaguing the creation of Chinese oil painting. ) On this subject, the creation of Wang Lei lasted from the previous generation of artists advocated by Lin Fengmian, Dong Xiwen, Pang Kaoru, Yuan Yusheng and others