《查泰莱夫人的情人》曾被凯特米利特喻为“准宗教性质的宣传品”。劳伦斯在其中大肆宣扬了女性对男性生殖器的神圣崇拜,并塑造了其理想的女性角色查泰莱夫人。与之形成鲜明对比的梅勒斯的前妻,伯莎库茨则是被劳伦斯剥夺了声音的“缺席”女性。她在男权话语中被建构、被象征化、被定义。她的女性主体意识遭到了劳伦斯与梅勒斯的大肆抨击。然而,也正是伯莎的女性主体意识赋予了她解构的力量。劳伦斯通过男女主人公建立起的“伪和谐”也最终在她的解构力量下坍塌。 “Lady Chatterley’s Lover” has been referred to by Kate Millitet as “a quasi-religious propaganda.” Lawrence in which to advertise the sacred worship of women’s genitalia and shaping up its ideal female role chatterley lady. In stark contrast to Meles’s ex-wife, Bertucucci is Lawrence deprived of voice “absence ” women. She is constructed in the patriarchal discourse, symbolized, and defined. Her sense of female subjectivity was lashed out by Lawrence and Melles. However, it is Bertha’s consciousness of the female subject that gives her the power of deconstruction. Lawrence’s “pseudo-harmony”, established by the hero and heroine, finally collapsed under her deconstruction power.