自宋以后,唐诗一直被后世诗人奉为圭臬,而宋诗备受冷落。直到各种学术集大成的清代,这种现象才有所改变。在清初出现宋诗运动,到晚清,承继这一运动而产生了一个较大的流派——“同光体”。“同光体”的形成有其历史必然性:康乾盛世转入晚清“乱世”的社会历史背景是其形成的土壤;乾嘉“朴学”和作为官方哲学的程朱理学,是其诗歌理论的学术指导;流派诗人本身的素养及其师承是其内在动因。 Since the Song Dynasty, Tang poetry has been regarded as a standard by later poets, while Song poetry has been neglected. Until a variety of academic gather into the Qing Dynasty, this phenomenon has changed. Song poetry appeared in early Qing movement, to the late Qing, inherited the movement and produced a larger genre - “same light body.” The formation of “same light” has its historical inevitability: Kang and Qian Dynasties turn into late Qing “chaotic ” social and historical background is the formation of its soil; dry Jia “Pu study ” and as the official philosophy of Cheng Zhu Neo-Confucianism is the academic guidance of its theory of poetry; the intrinsic qualities of literary poets and their teacher-training are their intrinsic motivation.