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选择留园曲嚣楼前枫杨树的近代图像再现为研究对象,将图像按照内容分为立面、构图与角落景色3种类型,以此讨论这棵不具名的枫杨树在其中的角色.引伸出近代以来,国内外园林图像作者们的创作原由与背景,从而还原被摄影与投影制图术影响的园林观看,并揭示当代中国园林概念中更为深刻的现代性。
Choosing the modern image of the maple tree in front of the Cantonese opera house as the research object, the image is divided into three types according to the contents: the facade, the composition and the corner view, so as to discuss the role of the anonymous maple in its role This paper extends the origin and background of the author ’s creation of landscape images both at home and abroad so as to restore the landscape view influenced by photography and projection cartography and reveal the more profound modernity in the concept of contemporary Chinese gardens.