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经研究发现,我国传统工笔花鸟画肌理构图运用相对较少,画家在作品创作中通常采取大面积留白,营造一种空灵之感。随着时代的发展,构图方法日渐丰富起来,在作品描绘中应充分考虑到诸多方面,将背景、主题等部分融合起来,从而达到作品创作意图,肌理构图法便是在这个阶段产生。本文将对肌理性构图中花鸟画创作中的具体运用进行分析,以此更好地促进我国传统工笔画发展。
The study found that the composition of traditional Chinese brushwork and flower texture composition is relatively small, the artist usually takes a large area in the creation of works to create a sense of emptiness. With the development of the times, composition methods are increasingly enriched. Many aspects should be fully considered in the portrayal of works, the background and theme should be merged together to achieve the intention of creation of works. The texture composition method is produced at this stage. This article will analyze the concrete application of the flower and bird painting in the texture composition in order to better promote the development of traditional Chinese painting.