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深受波德莱尔美学思想的影响,阿尔图.兰波在诗歌创作中反复颂扬着自己对新奇和未知的“地平线”的企盼和向往,这对现代主义意义上的诗歌美学而言价值重大。一方面,对古希腊神话、圣经的传奇故事、阿拉伯世界浓郁的宗教文化的追溯折射出诗人对生命源头和文化底蕴的美学追求和对个性与自由的赞美和渴求;另一方面,兰波通过对逝去的城市和理想的缅怀批判了城市现代化过程中庸俗的物质意义上的现代主义诗歌美学。在勾勒心目中现代与古典的完美结合的城市图景之时,兰波又以具象化的物质世界、心灵化的精神世界、排列组合千奇百怪的词语世界等不同的层面冲击着读者的感官和心灵,沉迷于飘渺灵动的诗意空间之中,浑然忘我。
Influenced by Baudelaire’s aesthetic thoughts, Alto Rambo repeatedly praised his longing and yearning for novelty and unknown “Horizon ” in his poetry creation. This is in the modern sense of poetry aesthetics Valuable. On the one hand, retrospectives of ancient Greek myths, biblical legends, rich religious culture in the Arab world reflect the poet’s aesthetic pursuit of the source of life and cultural heritage as well as the praise and desire for individuality and freedom; on the other hand, Rimbaud passed The memory of the passing city and the ideal memory criticizes the modernist poetry aesthetics in the vulgar and materialistic sense in the process of urban modernization. When drawing a picture of the city with the perfect combination of modernity and classicalness, Rimbaud impacted readers’ senses and minds at different levels, such as the materialized world, the spiritual world, and the strange world of words and words. Addicted to the ethereal poetic space, totally oblivious.