阿拉文德.阿迪加将小说《白虎》置于后殖民和全球化语境下,将动物园与动物意象镶嵌于寓言叙事和喜剧叙事中。动物意象不仅成为反映印度殖民历史嬗变和后殖民复杂权力关系的媒介,而且也成为表达作者生态思想和生态价值观的载体。只有从后殖民和生态批评的双重视角才能管窥这部“想象力和叙述的典范之作”。 Allard Adidas placed the novel “White Tiger” in the context of post-colonialism and globalization, embedding zoo and animal images in allegory narratives and comic narratives. Animal image not only becomes a medium reflecting the evolution of Indian colonial history and the power of post-colonial power, but also serves as a carrier for expressing author’s ecological ideas and ecological values. Only from the dual perspective of post-colonialism and ecocriticism can we have a glimpse of this “paradigm of imagination and narration.”