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谈起金湘先生有关中国传统音乐美学的精辟论断之“五字真经”——“空、虚、散、含、离”以及对“传统之河”纵向剖解的层面论(表层属于形态学范畴;中层属于逻辑学的范畴;深层则属于哲学范畴。这些理论在金湘著作《作曲家困惑与求索》中有详述,此不再赘述),这就像他的歌剧《原野》成为中国歌剧史上的里程碑一样,已然成为广大中国传统音乐学习者和创作者的理论经典了。数十年来,金湘先生在强烈的
Talk about the Intricate Theory of Chinese Traditional Aesthetics of Music by Mr. Jin Xiang: “Five Character Classic” - “Empty, Empty, Scattered, Contained, Departed” and the Vertical Dissection of “Traditional River” (The surface belongs to the category of morphology; the middle belongs to the category of logic; the deep belongs to the category of philosophy. These theories are described in detail in Jin Xiang’s book, “Composer Confusion and Search,” and it will not be repeated here) The opera “Wilderness” has become a milestone in the history of Chinese opera and has become a theoretical classic of many Chinese traditional music learners and creators. For decades, Mr. Jin Xiang is strong