与往日的辉煌相比,晚清民国时期的竹刻确乎只是“小儿科”。雕刻本体语言的日益缺乏,竹人综合素养的严重枯萎,使竹刻这本来戛戛独造的高雅艺术,退化为锦上添花的装饰附庸从文人墨客的山斋清玩,屈居于不学富户的厅堂摆设虽处低潮,但亦有自身特色,其存续而未完全消灭的事实本身,即是一种传承。 Compared with the glory of the past, the bamboo carving during the late Qing and Republican Period was indeed only “pediatric”. The growing lack of ontology language, bamboo serious deterioration of the overall literacy, so that the original bamboo art which has been dedication to high art, degenerated into the icing on the cake decorated vassals from the literati Shan Zhaiqing play, not living in the rich household furnishings Although at a low ebb, but also has its own characteristics, the fact that its existence has not been completely eliminated itself is a kind of inheritance.