论文部分内容阅读
京剧源远流长,号称国剧,是中国戏曲艺术的代表,是中华民族的文化瑰宝,也是世界艺术宝库中的珍品,已经有200多年的历史;而越剧的历史只有它的一半,如从年龄上排辈份,越剧当属京剧的“玄孙女”之辈,然而她也发展成了全国性的大剧种。这飞速发展的奥秘何在?应该说是离不开京剧对越剧的重大影响,更与越剧学京剧之长,为己所用的“拿来主义”关系很大。众所周知,在上世纪40年代树起“新越剧”
Peking opera has a long history, known as the national drama, is the representative of Chinese opera art, is the cultural treasures of the Chinese nation, but also the treasures of the world art treasure, has more than 200 years of history; while the history of Yue Opera only half of it, such as from the age of the row Generation, Yue opera is Beijing Opera’s “great-granddaughter” generation, but she also developed into a national drama. What is the secret of this rapid development? It should be said that it is inseparable from the great influence of Peking opera on Shaoxing opera, but also has a great bearing on the “Pei-la doctrine” used by Peking opera. As we all know, in the 40s of last century set off “new drama”