今天的电影艺术已经越来越偏离了它本身的特质,如简洁、洗炼、深刻、永恒,这些构成电影艺术、支撑电影艺术的巨大元素被抛弃和搁置得太久。当先锋实验电影在影院找不到几个观众时,空洞、臃肿、华丽的表面化形式终于将影院堕落成一个简单的游乐场所。 那种令人潸然泪下,令人情不自禁,令人深深心动的电影时代过去了吗?我们坐在影院里,时而木然,时而歇斯底里地亢奋,或者恐惧,审美被另一种方式物态化了。 就艺术的表现现状来看,我们已置身于一个泛抒情 Today’s cinematic art has deviated from its own characteristics more and more, such as conciseness, washing, deepening, and eternity. The great elements that form the art of cinema and support the art of cinema are abandoned and put aside for too long. When vanguard experimental cinema can not find a few viewers in the theater, empty, bloated, gorgeous surface forms finally degenerate the theater into a simple playground. The kind of tearful, unbelievably evasive film era has passed? We sit in the theater, sometimes wooden, sometimes hysterical excited, or fear, aesthetic materialized in another way. In terms of the current status of artistic performance, we have put ourselves in a pan-lyric style