好几年前,我曾经写过一篇文章,谈到了杨缨的“透明”。当年她还是一个涉世未深的女孩,初入社会,对什么都充满了好奇,也充满了疑惑。那份率真,那份任性,全都表现在她的画中。所以她的画也率真,也任性,也好奇,也疑惑,是对未来生命的注视,也是对自我认定的探索。我无以名之,就把她的艺术称作“透明”。我觉得杨缨式的透明表达,是女孩的,但不完全是女性的,而是有几分顽气,几分胡为,几分较真。 Several years ago, I wrote an article about the “transparency” of Yang Ying. That year, she was still an inexperienced girl, entering the community, full of curiosity about everything, but also full of doubts. That share of true, that wayward, all reflected in her paintings. Therefore, her painting is also straightforward, self-willed, curious, and puzzled; it is the gaze of future life and an exploration of self-identification. I have no name, put her art called “transparent.” I think the transparent expression of Yang Ying is a girl, but it is not entirely feminine, but it is somewhat stubborn, somewhat obscure, and somewhat real.