在一个似乎不可能产生戏曲表演流派的时代,越剧“茅派”的提出引发了激烈的争论。争议的焦点在于茅威涛的唱腔仍属尹(桂芳)派,其表演抑或已形成独具个人风格的茅派。争议出现的导火线是,导演郭晓男在2006年新版《梁祝》的发布会上提出了“茅派”概念,随即不少媒体又以“郭晓男宣告‘茅派’诞生”为题作了报道。一石激起千层浪,由于郭晓男与茅威涛的伉俪之实,更使话题本身敏感化。拥护者热烈响应,反对者 In a time when it seemed impossible to produce a drama performance genre, the rise of the Yue opera “Mao faction” sparked heated debates. The focus of controversy is that Mao Weitao’s aria still belongs to Yin (Gui Fang) School, whose performance has already formed a unique Mao style. The controversy emerged as the fuse that director Guo Xiaonan put forward the concept of “Mao faction” at the launch of the new version of Liangzhu in 2006. Then many media again made the remark that “Guo Xiaomin proclaimed the birth of Mao faction” Reported. A stone aroused Melaleuca waves, due to the couple’s wife and Guo Wei Tao and the real situation, but also make the topic a bit sensitized. Proponents responded enthusiastically, opponents