最近为某杂志的I.T.版做了一个人物访问,主人翁是在香港乐坛打滚了廿年、捧红了当时的少女乐队梦剧院、流行乐天后彭玲及李惠敏的叶建华先生。他之后再转战Hi-Fi发烧界,专门制作发烧天碟,继而捧红了发烧天后Susan Wong。其实在香港两声道发烧界的软件年表中,在八九十年代时,发烧友还是靠进口的古典交响乐、管弦乐、爵士乐等为主打的黑 I recently made a personal visit to I.T. edition of a magazine whose master was Mr. Ye Jianhua, who had been playing in the Hong Kong music scene for 20 years and was acclaimed as the girl’s band Dream Theater, pop music day after Peng Ling and Li Huimin. He later fought in the Hi-Fi fever sector, specializing in the production of fever Atago, followed by the fever of Tin Hau Susan Wong. In fact, Hong Kong two-channel fever in the software world chronology, in the eighties and nineties, enthusiasts or rely on imports of classical orchestral, orchestral, jazz, etc. mainly black