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本文依托剧情,通过重点分析剧中展现婵娟人物性格发展脉络的三个主要咏叹调,按照婵娟的感情变化,在歌唱的气息、音色、语言、形体表演处理等各种技术层面上对婵娟的演唱处理进行全面总结。期望对歌剧《屈原》中婵娟人物形象塑造的把握提供一定的参考。
Based on the story, this article mainly analyzes the three main arias in the drama that show the character development of Chanjuan, according to the feelings of Chanjuan, singing and breath, sound, language, physical performance and other technical aspects of the singing of Chan Chan A comprehensive summary. It is hoped that this article will provide a reference for grasping the image of Chan Chan in opera Qu Yuan.