新感觉派作家穆时英关于上海都市的创作一直备受关注。但其前期的小说创作中对底层社会的苦难书写,则较少被细致关注,其创作更加关注都市上海底层社会的精神苦难。穆时英采用“现代派”技巧,以重复和陌生化的粗鄙语言,消解人物痛楚的叙事节奏,展现人物精神孤寂的苦难。以开放的叙事结局,引发读者关于人类孤寂背后信仰迷失的思考。 Mu Xinying, a new sensationalist writer, has always been concerned about the creation of the Shanghai metropolis. However, the writing of the misery of the underlying society in his early novels is less and less concerned, and his writing pays more attention to the spiritual misery of the urban Shanghai. Mu Shiying adopted “modernist ” techniques, repeated and unfamiliar language of vulgarity, digestion of painful narrative rhythm, showing the loneliness of human suffering. With an open narrative outcome, lead readers to think about the loss of faith behind human loneliness.