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本文以1930年创立的“联华影业制片印刷有限公司”到1947年在它基础上成立的“昆仑”公司拍摄的影片中存在的“力场”及互动系统为切入点,分析了从儒家“文化主义”到“民族国家”传播范式的转向,发现在“联华”时期儒家文化主义传播范式存在的“力场”构成的三种力量是“儒家结构、市场逻辑和左翼思潮”。到了“昆仑”时期,在日本侵华的背景下,共产主义意识形态以“群力”的方式介入,影像开始了“民族国家”范式的转向,最终形成了能辐射巨大能量的稳定结构。
This article is based on the “force field” and interactive system of “Lianhua Film Production Printing Co., Ltd.” founded in 1930 and set up by the company “Kunlun” in 1947 as This paper analyzes the shift from the mode of communication of Confucianism to the nationality of the nation states and finds that the “force field” of Confucianist cultural communication in the period of “Lianhua The power is ”Confucianism, market logic and leftist ideology.“ In the period of ”Kunlun“, in the context of Japan’s invasion of China, communist ideology intervened in ways like ”group power“ and the images began to shift from the paradigm of ”nation-state" Stable structure of energy.