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寓意,是中国传统花鸟画的特征之一。画家以作画对象名称的谐音、外形、生长习性等比喻人生的内容,寄托画家的情怀。陈半丁(1876—1970)的《佛手柑图》正是属于寓意式花鸟画一类。画家用一枝佛手为主题,以手的谐音颂扬毛主席一手擎天,富国裕民的丰功伟业。中国画家最拿手的“绝活儿”就是能在各种应酬场合挥毫泼墨,写或画一些内容吉祥如意,能博得东道主
Implication, is one of the characteristics of traditional Chinese flowers and birds painting. The painter paints the artist’s feelings by using metaphors such as homonym, shape and growth habit of the object of painting. The “bergamot map” of Chen Ban Ding (1876-1970) belongs precisely to the category of the symbolic flower and bird painting. Painter with a bergamot as the theme, the homophonic praised Chairman Mao hand Kadima, rich country Yu Min’s great accomplishments. The most adept Chinese painter is the “superb child” who can brush ink on a variety of entertainment occasions, write or draw some content with good fortune and win the host