初夏,在长安大戏院看当今为数不多的京剧筱派传人索明芳演出的传统戏《翠屏山》(取材自《水浒传》),我第一次在舞台上领略到筱派的风采,同时也重新审视了《水浒传》中“潘巧云”这个角色。上世纪九十年代,我们在香港影视剧中看到风情万种的伍咏薇、温碧霞、邱淑贞,惊为天人,其实,在我们京剧舞台上,半个世纪以前,筱翠 In the early summer, at Chang’an Grand Theater, I saw the traditional play “Cui Ping Shan” (taken from “Water Margin”) performed by one of the few Peking opera writers Suo Min Fang in the Chang’an Grand Theater. For the first time, I enjoyed the style of Shao Pei on the stage, Also re-examine the “Water Margin” in the “Pan Qiao Yun ” this role. In the nineties of the last century, when we watched the ten thousand kinds of people in the Hong Kong films and television sets, including Ng Wing Wah, Vincent BUI, and Chingmy Yau, we were scared to be human beings. In fact, on the stage of our Beijing opera, half a century ago,