元明清戏曲中对李白故事的叙述,以娱乐和教化兼具的文艺手段,体现了文人对自身生存状态的关注和对理想价值的精神寄托,在几部典型戏曲作品的半书愤和半戏谑方式中,对李白这一经典形象的再现、重建和虚构,既透露出雅、俗文学互渗过程中文学描写方式的变化,同时也反映出此时期文人话语表述的转型,以及从向往、愤懑到解脱、归顺的复杂文化心理。 The narration of Li Bai’s story in the drama of the Yuan, Ming and Qing Dynasties embodies both the concern of the literati to his own state of existence and the spiritual sustenance of the ideal value by entertaining and enlightenment both literary and artistic means. In the semi-book anger and half In the banter mode, the reappearance, reconstruction and fictionalization of the classic image of Li Bai not only revealed the change of the way of description of literature in the process of infiltration of both the literary and popular literature, but also reflected the transformation of the discourse of the literator during this period, Resentful to the liberation of the complicated cultural psychology.