《赛德克·巴莱》作为一部人类学电影,其内容表面上看是一场赛德克族反抗日本军队的斗争,但其实质展现的却是这两个“场域”之间不可调和的矛盾与对立。不战死便自尽的勇气和信念是赛德克族对于祖灵信仰的守护、对于西方文明的本能抵抗。受现代文明影响的魏德圣导演在整部影片的叙述立场上却站在了归属于“野蛮”的赛德克族之中,这样一种立场的叛变也清晰的表达了其对于现代性的反思。 As an anthropological film, “Sidek Balak” is superficially regarded as a struggle against the Japanese army by the Seidic people, but in essence it shows the two “fields” Irreconcilable contradictions and antagonisms. The courage and conviction that he did not fight dead himself to do his own thing is the Sadek’s guarded respect for the belief of the ancestral souls and his instinctive resistance to the Western civilization. Directed by modern civilization, director Wei Teh-sheng has stood in the narrative position of the entire movie belonging to the “barbarians” of the Saudis. The rebellion of such a position also clearly expresses his attitude toward modernity Reflection.