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90年代女性诗歌写作颠覆了最初的先锋性含义,在诗歌写作语言观念、艺术表现手法、艺术表现功能和审美视角、价值取向、风格性质等方面产生了变异。这种变异不仅适应90年代特殊的文化情境特点,使其完成了一种综合性的、断裂性的现代性转型与变革,成为另一种意义的时代先锋写作;而且在客观上加速了90年代诗歌的非诗化、边缘化倾向,与90年代诗歌之间形成了一种从先锋到边缘、既对立又统一的关系。
Women poetry writing in the 1990s subverted the original vanguard meaning and produced variations in terms of poetic writing language, artistic expression, artistic expression and aesthetic perspective, value orientation and style. This variation not only adapted to the special cultural situational characteristics of the 1990s, but also enabled it to complete a comprehensive and fractured transformation and transformation of modernity, thus becoming another era of pioneering writing of objective significance; and objectively accelerating the development of the 1990s Poetry non-poetic, marginalized tendency, and the 1990s poetry formed a from avant-garde to the edge, both antagonistic and unified relationship.