孙承泽一生以儒学正宗自居,在书画鉴藏中时时体现着儒学倾向。首先他注重人品与艺品的统一。这是典型的儒家伦理艺术观,艺术是心之所发,能表现出艺术家的人格理想和道德规范,即所谓“艺品即人品”。唐穆宗曾问柳公权笔法,柳对曰:“用笔在心,心正则笔正。”朱熹《书字铭》言:“握笔濡毫,伸纸行墨,一在其中,点点画画,放意则荒,取妍则惑,必有事焉,神明厥德。”这都是历史上典型的艺品人品论调。项穆的《书法雅言·心相》篇,更把艺品人品的伦理关系阐发得深入透彻:“柳公权曰「心正则笔正」,余今曰, Sun Chengze his life to authentic Confucianism itself, in the collection of calligraphy and painting reflected from time to time reflect the tendency of Confucianism. First, he pays attention to the unity of character and art. This is a typical view of Confucian ethics, art is the heart of the development, to show the artist’s personality and moral norms, the so-called ”art is character “. Tang Mouzong asked Liu Gongquan writing method, Liu said: ”Pen in the heart, the heart is the pen is positive.“ ”Zhu Xi“ inscriptions words ”:“ Hold pen pen Rui, stretching paper ink, one of them, a little bit of painting Paintings, but the intention is to waste, Yan Yan is puzzled, there must be things, God Juede. ”This is the history of the classic art of character argument. Mu Mu “calligraphy Ya-yan heart phase” articles, but also the ethics of the character of the etiquette elaborated: “Liu Gongquan said” heart is positive pen ", Yu Jin said,